For some artists, having work selected for an open exhibition with a selection commitee is a right of passage. It is the time when your work must face the world and be judged. It has to, using the X-factor- metaphor stand up on stage and sing I will survive at the top of its little voice. The holy grail for some artists would be entry to the RA summer show, that yearly bazaar of everything in art. It is a chance to rub shoulders (canvases) with the academicians. Is your art up for living next to Tracey Emin RA for two months?
For me, as a painter the John Moores competition is the one you look to. Many previous winners have made a good career from painting. Peter Doig is a good example.
Upon entering your work for selection-to any level of show- you accept that there might be rejection. As a painter the work is inevitably a part of you, so does the rejection become a rejection of you the artist? At a time when art can be all things, how is a judgement made as to what is accepted or rejected?
The big question is will Cheryl Cole like my picture of her as The Venus of urbino?
Good luck to all who submit work for selection. The spirit of Tony Hart will be with you.
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